Curriculum Vitae

MILTON MOON A.M.

Milton Moon

MILTON MOON. ADELAIDE, SOUTH AUSTRALIA.

In this, my eighty-sixth year, over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant.
The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently from the Pilbara and Kimberley areas of Western Australia, where dating of the rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world.

All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful spirit presence. It is impossible to ignore the feeling that this country re mains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation.
Whether one searches the horizons of these vast bare rugged lands or views the far vistas from the great mountains of the High Country the same spirit remains. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. For me to be a truly Australian artist it is something that cannot be ignored.

"Milton Moon has been a ceramist for over fifty years: he has been both lecturer and practising potter. He has studied in many countries, as a recipient of a foundation Winston Churchill Fellowship and also as a Myer Foundation Geijutsu Fellow. His work is in all major Australian Collections.
As one of Australia's most senior potters, in the 1984 Queens Birthday Honours Milton Moon was made a Member of the Order of Australia. In 1991 he was accorded a retrospective of his work, covering a period of thirty-five years, at the Art Gallery of South Australia. In 1992 he was a recipient of an Advance Australia Foundation Award and then in 1993, for a period of five years, he became a recipient of the most prestigious of art awards given by the Australian Government, an Australian Artists Creative Fellowship. In 2008 the University of South Australia conferred an honorary doctorate (DUniv) Milton Moon has now written five published books. Two years ago he wrote The Zen Master, the Potter and the Poet, published by Axiom Publishers, followed by a recent publication, A Potter's Pilgrimage, published by Wakefield Press.

CHRONOLOGY

1926: Born Melbourne, Australia.
1947: After discharge from Navy Service lived first in Queensland and then in
New South Wales. (Employed in broadcasting, then later television in
both New South Wales then in Queensland, 1947-1961.)
1949: Returned to Brisbane where he studied for three years,part-time,
painting and drawing at the Central Technical College and also
privately with Margaret Cilento.
1950: Became interested in pottery and was taught wheel-throwing by Mervyn
Feeney, a traditional potter living in Brisbane. Also worked with Harry
Memmott, grandson of Queensland pioneer potter, J.T.Sandison.
1962: Was appointed Senior Pottery Instructor with the Department of
Technical Education, Brisbane, Queensland.
1965: Awarded a Foundation Churchill Fellowship and studied in many countries
during the following year
1966: Represented Australia at the first World Craft Congress,
Montreux,Switzerland.
1967-68: Art tutor, Architecture Department, University of Queensland.
1969: Appointed Senior Lecturer, Head of Ceramics at the South Australian
School of Art.
1974: Awarded a Myer Foundation Geijutsu Fellow to live and study in Japan.
1975: Resigned from lecturing to work full-time at Summertown in the Adelaide
Hills where he and his wife established a workshop, home and gallery in
a restored 1850's stone mill.
1995: Closed the Summertown Gallery and relocated to Adelaide.
1976-1981: Served as a member of the Australian Japan Foundation.
1984: Was made a member of the Order of Australia (AM) in the Queens Birthday
Honours.
1990: Awarded Life Membership of the South Australian Crafts Council.
1992: Recipient of an Advance Australia Foundation Award.
1993: Recipient of an Australian Artists Creative Fellowship, for a five year
period from 1994 to 1998.
2008: Recipient of an honorary doctorate (DUniv) conferred by the University
of South Australia.
Study travel has been undertaken in the United States, Mexico, United Kingdom, Denmark, Sweden, Norway, Finland, Germany, Belgium. France, Switzerland, Italy, Spain, Greece, Iran, Japan and Korea.

AUSTRALIAN EXHIBITIONS

  • 1959. Johnstone Gallery, Brisbane.
  • 1962. Rudy Komon Gallery, Sydney.
  • 1961. Johnstone Gallery, Brisbane.
  • 1963. Von Bertouch Gallery, Newcastle.
  • 1964. Johnstone Gallery, Brisbane.
  • 1965. Hungry Horse Gallery, Sydney.
  • 1965. Johnstone Gallery, Brisbane.
  • 1967. Johnstone Gallery, Brisbane.
  • 1968. Macquarie Galleries, Sydney.
  • 1968. SA Festival of the Arts, Art Gallery of SA Adelaide.
  • 1968. South Yarra Gallery, Melbourne.
  • 1969. Johnstone Gallery, Brisbane.
  • 1969. Macquarie Galleries, Canberra.
  • 1969. Bonython Gallery, Adelaide.
  • 1969. Von Bertouch Gallery, Newcastle.
  • 1970. Mildura Sculpture Biennale, Mildura.
  • 1970. Johnstone Gallery, Brisbane.
  • 1971. Johnstone Gallery, Brisbane.
  • 1971. Bonython Gallery, Adelaide.
  • 1972. Skinner Galleries, Perth.
  • 1972. Australian Galleries, Melbourne.
  • 1973. Bonython Gallery, Sydney.
  • 1973. Macquarie Galleries, Canberra.
  • 1975. Bonython Galleries, Sydney.
  • 1976. Collector Gallery, Perth.
  • 1976. Festival of Arts, Festival Centre Gallery, Adelaide.
  • 1976. De Gruchy Gallery, Brisbane.
  • 1976. Greenhill Galleries, Adelaide.
  • 1976. Solander Gallery, Canberra.
  • 1977. Bonython Gallery, Adelaide.
  • 1977. Craft Centre Gallery, Melbourne.
  • 1978. Festival of Arts, Jam Factory Gallery, Adelaide.
  • 1978. De Gruchy Gallery, Brisbane.
  • 1979. Craft Centre Gallery, Melbourne.
  • 1979. Jam Factory Gallery, Masters' Exhibition, Adelaide.
  • 1979. Bonython Galleries, Adelaide.
  • 1979. Macquarie Galleries, Sydney
  • 1980. Festival of Arts, Jam Factory Gallery, Adelaide.
  • 1982. Greenhill Galleries, Perth.
  • 1982. Market Row Gallery, Sydney.
  • 1982. De Gruchy Gallery, Brisbane.
  • 1982. Distelfink Gallery, Melbourne.
  • 1983. Distelfink Gallery, Melbourne.
  • 1984. Festival of Arts, Bonython Meadmore Galleries, Adelaide.
  • 1985. Potters Gallery, Sydney.
  • 1985. Mark Widdup Gallery, Newcastle.
  • 1985. Distelfink Gallery, Melbourne.
  • 1988. Bonython Meadmore Gallery, Sydney.
  • 1988. Solander Gallery, Canberra.
  • 1988. Greenhill Gallery, Perth.
  • 1988. A.C.A.F.I. Royal Exhibition Buildings, Melbourne.
  • 1988. Australian Decorative Arts 1900-1985, Canberra.
  • 1989. De Gruchy Gallery, Melbourne.
  • 1990. Christine Abrahams Gallery, Melbourne.
  • 1990. Stafford Studios Gallery, Perth.
  • 1991. Art Gallery of South Australia, Retrospective Exhibition.
  • 1991. Philip Bacon Galleries, Brisbane.
  • 1993. Stafford Studios Gallery, Perth.
  • 1993. Aptos Cruz Gallery, Stirling, South Australia.
  • 1994. Solander Gallery, Canberra. Anniversary Group Exhibition.
  • 1995. Ray Hughes Gallery, Sydney.
  • 1995. Philip Bacon Galleries, Brisbane.
  • 1996. Christine Abrahams Gallery, Melbourne.
  • 1998. Aptos Cruz Galleries, Stirling, South Australia.
  • 1999. Christine Abrahams Gallery, Melbourne.
  • 1999. Stafford Studios, Perth.
  • 2000. Powerhouse Museum: Colonial to Contemporary: a decade of collecting Australian decorative art and design.
  • 2000. University of South Australia - group exhibition.
  • 2000. Chemistry, Art in South Australia, Art Gallery of South Australia 1990-2000
  • 2001. Australian National Gallery, 'Japan and Australia, a ceramic dialogue.'
  • 2002. Material Culture, Aspects of contemporary craft and design. National Gallery of Australia.
  • 2002. Transition and Resilience, Jam Factory centre for contemporary craft and design, Adelaide.
  • 2002. Christine Abrahams Gallery, Melbourne. Pottery and Paintings
  • 2002. Aptos Cruz Gallery, Stirling, Adelaide. Paintings and Ceramics.
  • 2004. Coinciding with the Adelaide Festival of Arts, 77th Anniversary exhibition held at the Aptos Cruz Gallery.
  • 2004. Boutwell Draper Gallery, Sydney. 
  • 2005. Colonial to Contemporary. Griffith University. Queensland College of Art 125 Years
  • 2006. The CrAfted Object, 1960s-1980s National Gallery of Australia.
  • 2006. Christine Abrahams Gallery, Melbourne. Book Launch and exhibition.
  • 2006. Aptos Cruz Gallery, Adelaide. Book launch and exhibition.
  • 2008. Aptos Cruz Gallery, Adelaide. Festival exhibition.
  • 2008. Christine Abrahams Gallery.
  • 2008. Aptos Cruz Gallery, Adelaide.
  • 2009. Aptos Cruz Gallery, Adelaide.
  • 2010. Mossgreen Gallery, Melbourne.Exhibition and book launch.
  • 2010. Peter Pinson Gallery, Sydney.Exhibtion and book launch.
  • 2010. Aptos Cruz Gallery, Adelaide.Exhibition and book launch.

    OVERSEAS AND AUSTRALIAN TOURING EXHIBITIONS

    AWARDS